Named after the late great Hepburn, Oliver Goldsmith designed frames for many of her movies such as Charade, Two for the Road and How to Steal a Million.

This frame is a classic large round eye, and one of our most sought after styles.

The post OLIVER GOLDSMITH AUDREY (1963) appeared first on Spectacle Culture | Spectacle | Eyewear | Optics | Singapore.

British slang for police it takes its place in the OG: Icons line up as it featured in Two for the Road with Audrey Hepburn.

In fact all the sunglasses in that film were created by Oliver Goldsmith including the white wrap around frames on the poster.

Fuz also appeared on the front cover of Vanity Fair in 1965

The post OLIVER GOLDSMITH FUZ (1966) appeared first on Spectacle Culture | Spectacle | Eyewear | Optics | Singapore.

The names’ in the frame!

Saying that – a Hexagon should have 6 angles not 8!

The post OLIVER GOLDSMITH HEX (1966) appeared first on Spectacle Culture | Spectacle | Eyewear | Optics | Singapore.

The KoKo shape was inspired by the trend for oversized and head turning sunglasses with wide straight paddle temples.

From a design aspect this large round eye follows on from the Audrey designed a few years earlier but encompasses rare Paddle.

The post OLIVER GOLDSMITH KOKO (1966) appeared first on Spectacle Culture | Spectacle | Eyewear | Optics | Singapore.

The post OLIVER GOLDSMITH MANHATTAN (1960) appeared first on Spectacle Culture | Spectacle | Eyewear | Optics | Singapore.

The M starts from the right to left of the frame, the OO are the lenses, the S is taken from the top right hand corner, to the left bottom corner and the H is in the middle – and there you have it!

The post OLIVER GOLDSMITH MOOSH (1968) appeared first on Spectacle Culture | Spectacle | Eyewear | Optics | Singapore.